"Vanoni is a woman who has taken away from many Italians," said a few time ago Gianni Minoli. With that "amber" voice, that "from Negra" body, that extraordinary nonchalance with which she has passed through the storms of daily existence, she has been the subject of the desire for more generations of men. But she is also a woman appreciated by women. Her her freedom of her in following what commands her heart and saying what suggests her the mind of her made her a symbol of female emancipation, always expressed with natural elegance. You an artist who still dominates the stage giving emotions like her at the beginning of her career. A personality that still manages to talk about himself, arousing admiration or controversy, never indifference. In this autobiography, written to four hands and a voice, the life of the van appears exactly for what it is: an amazing story, self-ironic, sincere, without a moment of breath. An enviable life, at the height of the diminished talent of Ornella. A wealthy family. The debut-revelation at the theater with "the idiot" of Achard. She's love story with the giant Giorgio Strehler, and then many other loves, some special, other impossible, others in "Paso Doble", as she says. So much theater with the best of Italian prose, from Gigi Proietti to Giorgio Albertazzi. Lots of music, starting from the songs of mala to the collaboration with the largest of the Italian song, Paoli, Tenco and Sergio Bardotti.